从今天到$明天

Ba+😂\sed on an unknown Schön😋berg😑😏? opera from 19^29, From T:🤥🤫oday U😄+ntil Tomor#😉row explore😝🤩s %(? on+e=😏 nig.ht😴% in a 😛not-🤤:😆)quite :😝😘lo🤕🤮?v)😉`ele🙄ss :😏marri😍😗/age. A husband and wi🙃🤢f🤪🥰😗e re😛🤔🤕😀tur/🤣🤐n 😉😍from a` party 😚]w,\🤣😁h😆`🤢er(😏^e sh]🙂🤫)e \has flirted_😋 with 😆🤭anoth😊😍?er man, w😄hile he😐_😗\ has🙃😇😆
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%\😛🤥 +@of a new lover, in the e🙄😊🤣/nd they decide s🤐😄😘tabi]@ l🙂ity and co😋-mfort are -:@more i😍😋m😚🙃*/por= ta😬🤭nt😏😛😛 t😏+😒ha*🤪😃😝n🤔😅[ t😬😜😊$h😷😌🤔e fl😅😉(eeting thrill of ne😀w romance.😌 Di🤑+rect😐🤩😗ors Je😄😇😙a😇 n-M🤔=arie Straub and Da]😙ni🤒😬è;😁🤪😀le Hu)🤢🙂illet, wh😘😶o previously collaborated on two o😝*?🤕ther film*🤗s about musi🤮😜😔😶c (The🤥 Ch;😏:🥰ronic🤥le 😬o=f Anna M_🤔🤪agdalena 😗😌?-😗Bac[h, 1968😙🤔😷, a🤨$😚n
😊d Moses and Aaron, 19 75), rely🙃🤒🤭, 🤒😝🤪on😉😉😅😌🤔 long fixed shots `in aus@🤐*t😃😊ere`%😔😷😒 black-an🤫^😬😙d-whi🤥🤒😁te so th🤩 at the🤕🤔😒🤕! focus r🤩🤒emains on the 🤤*😒musical bril🤥$lian$😍😗😏ce ^😇of Schönberg😘🤢,`’s atonal 🤣score, performed ]+here by 7😍0 musicians. Tha😌t Schönberg would c😆😶=🤢hoos😆🤮e (🙄😒such a relativ😆😂(😀ely li@😪🙂🤨ghthearted message for 😷😇(;his ne🤑[🤭🤢wly 🤨🤔discovered m=😶us🤔🤮-ical lang.😶)uag e remains🤑 a$ mystery😔🤫😗, espec(😙 i🤒.all🙄*y 🙄 sin😄😷😜ce the conclusi-😙😶on %😄reac.he😐%d\😐 by the husban\😪😁 d an 😒d wife—to s😑🤪ti🤢😘*😒ck with🥰; 🤮 the tried and true—seems di: rectly at odds wit😘h Sch/-önberg’s😁😄 own philo^🤩so🤨😛😅%phy of 😊-🤑co😶😘+🙃🤗m😚🙄-p(🤮o🤑!s😔
in🤮🙄%g. It is just t%🤥😙 🤔his juxtapo😀🤭+🙃s😔😏-ition, however, coup@🤤😐😶led wit🙃😗😪😏h Str🤐 =/aub and H!uillet’s.😝- 🤔?*🤪f?😝ait)#),🤒hful 😍: prese🤩😒n tat😆$😝i😐o/😜n, that 😚.m
🤮😙akes 😏the oper🙃$`a a co`🤭😴🤮mpelli 😒😄😐🤪ng 😬🤨addition to t.:he 🤪🤤Schönberg ca🤑🤥\no🤕n—and the f/.ilm such a chal😜len🙃+#🤒ging $!🤫an🤐! d intrigu/ 😅ing experience.