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[=😀😌e😇ver]🤩_ I se😘*🤤e^ La Paura I think o? f i😌t a😅😷😊🤪.s😚😔😴🤨😒 a companion piece😋[+ to Eye]🤥🤢😒🤕s Wide Shut, 😔]😃😚o;😆😉r maybe it is th😪🙃😅😪😴e o🤒😙🙂%ther way ar🤫ound. A🤐;😉dulter🤤🤢y mak`🤨es both films tick😛🙄.🙄 but in😴😑😋🤥 differ😂😇en😇😒t ways. 😒 😐\I +🤔😙🤑think Phillip Fre))nch 😶was 🙃ri😆🤑gh+$t on `🤮🤤the money when he pointed ou🤗t a Wi😷-z😉😁😃ard😀😐 of Oz🤮🤥 t+😊hing i🤨😐🤤n ?,Kub😷🤗🤣🤗😝rick's l😐🤐ast work. Like Dorothy,😴🤗😊 T+,`om and Nic.😪😔🤭ole😗=😄^ go thro:🤗😅ugh fantasies and🤗😀 nigh\😍😚😐🙂tmare🤪 🙂😑s 😊🤪😀 and at 🤥.the end Doroth🤗😅🤭😘y
#🤭's :# 🤐reassuring childish mo😅😐😌tto there🤫🤪😙😗's no😑😗😌 p🤩🤢😉?🤮la🤔🤗🤭ce like🤑😙😗(😙 home ,$🤨is ir
_oni( 😚cally upd🤮?🥰at 😊]ed t🤐o +😏the a😇.🤔dult ci%😃😗rc🤢😍 ums😑tan😅😍😇😉ti_🥰al😌😑 adage there's 🤩🤪🤐n🤢🤑😚o sex l_🤤ike`:🤢 marit/🤩al sex. Kubrick's take is inte😑(llec😪😂tual, he never lea😇🤐ves the world of ideas t.%😉o touch the gro#[und. *He🙄😙🤪 t🤐a😏unts /🤪#the au😌-😄😍😃dience first with 😘an er😝🤤otic mov😘🤑ie and th
)🤩(en😌😉 with a th %^riller 🤭😒😍🤢a
😬🤕*nd r@😏😃efuses to deliver either 🤪😔of.😍😍 th😚😛em. H🥰\e wa🤮s m🤥, =/arried🤑😘🤐😗 to his third w?+😶 ife =^for 40 😌 y😊😛
ears, until he died. Ro]@ssel
-🤐lin🤭😂🤩😴i 🤗🤨was still married🤣 t?🤕🙃o 🤐🤔😘\Ing🤭😆😙 rid Bergman _🙄🤢🤣when 😃;*he directe🤔🙄😪d La ,🙂😉Paura; they had been adulterous 😶*l😪%😊ov =er$?s and their!😛 _🤤🤣infi\@🤥😌😊deli;🤒ty%. wid😊*ely 😅😗=c😛riti😄😁ci😊😙ze;🤩😶😑😇d La Pa😐🤐😀ura is a 🤒🤤@tale, a noirish one. The noir 😬🤐intrigue is 🤮😗😘 solved🤩😘 and the tal😑😁e has a ha😊😌😅:🤒ppy end😐]🙄i`+😝🤒ng. 😬🥰$😪The🤭  cit😉-y is noir; t😗
🤭_😉he co(:😒😃$untr🤒@😃🤑y is t🙂🙂ale,😘 the ter^😄]ritory🤭🙃 where childhood is p🤨😍ossib🙂😑🤮🤔le. The 😶😍🤫tr+🤮an(^😅😃sition is operated%🤣😏` 😘in😴* the mos😊😉t re=$/g😗😶ul!🤨@a😅r way b=🤥😆y🙂😋 car, a long-he@🤮,ld s🥰 .@😴hot taken from the f🤨)ron😙t of the car a😌s 😉🥰.%it`  ri🤔[des into the r)😋oa)`😁d, a😴🤨😄s ,😜if we were entering a di🤤🤥😜😑fferent di 🤭😁m?🙄ension. Irene (Bergman) +🥰😊sta🤑
/r^ts the mov😚😏😆ie we just see a dark c🤣,;🤩it/y la😜ndsca😅$pe bu😌😇^t 😬
h`🤒er voice-ov(er n]@🤥\arrat🤮`😗ion tells us of😋😘 her ang$🤥🤫s😙😊t 🤪😜[😗and %]informs us th(😙🥰at the s,😃tory i🤑s 😴a flashb😄😒😏ac😋+🤕😷[k, h🤮!e 😝rs. 🤑😗🤕Bergma:n's\😔 been c$`heating 😐🤐\]on he😁/😪🤔r🤕/ husband. At 🤐😇🤐🤗first -- 😂?guil:+t is just psy.#🤗c 😊hological torture but so+🤨/on e):/xp😇😌🤥ands i😄😪_nto ec😑🤩🤢;😆o😊🤑nomic blac 😆km😴ail and t😝_hen grows into som😚😜😃(ething else. F 😷😊😇r😊om b🤮_`😍😄eginn*😌😂in😒g t🙃😁
+o end🥰🤐 th😆e movie 😊🤕😅focuses on w😙_🤮😊hat B:?ergman 😴😑😗😶@feels_`, (😉😴😃every other cha$😏😛racter is there to m\😉a[😇k🙂🤨🤑e h`er 😌😌😅fe🤮😉]el some😉🙃[🤑thing🤫😋😆+. O`😷😬nl😋_😛y 🤒🙃😶😆whe=😑🤗😋🤤n th😬🤥😶🤭e d🤔😄^.i😷^😂#r🤑?🤔.ector gives away(🤕 the plot 😃😔before the[😇 main char]😚acter can find out does*😂 he 😙🙄😝want🙃😌 us to feel,# somet_#
hing B#😏[erg[😍man still can't. 😂
😄😷😊When @😪🤪s😐-😚😆^he f+😷🤐😆in😶😝ds o😙-]ut, we have 🙂$😗already experience🤭😑/😁d the warped mechan😆🤩ics of the😊 🤪 situ🙂ation and we🤭/ :🤩may focu🥰:` s once again on the 🙃em😚🤑🤔otional 😍impac🤭🤫🙃t it has%+ o#😒$n )Ber!🤣gman's Irene=😅🤭🤒. In La Paur🤐a treasons a🤗🤫+🤒re🤕😛🤒 n🥰😚ot;😇 imag/😘😍🤪:ined but re😙,al, nigh?;@#tm😴ares are d😁😝eliberate^
🤮 and the couple's ven🤤@;om😋# su😚😴p😶🤤😙pura🤮.😌tes😑 in b😃🙃😁.i🤑😊tte😔🤐r w😜🤣ays. Needless 😔%]]t\ o^ say, I;ngrid /has🙄] a😶nother o😍😁f her😊 r 🤤:😆🤕ough😃😗#$ rides in th🙂😚e mo😑vies bu😑😛t Ro(🤥@😶s🤪🤥🤑🤩se😬😀llini doe😝sn'^ 😬t d ,are put h😌🙂😅(er 🤤😊😗awa😉-y a[😇s😏$+ h😀e did i ]🤕n !)😇Europ🥰a 51, n😑!😷or does he:🤗 🤮/😙abandon her to 🤑%[🤤t😗😚he 😁😔🤫i😄😅🤥n😀🤪scrutable@😌😋😀 impa🙂😍ssivi_ 🤔ty of n=😝a,😜ture 😶🙄(St,🤒🤫romboli)🤨🤪😒. His🤩) gift is less tr%😗😛🤤anscendent a+nd fragil😅e$😜 than th😝e con😃😁:^clusion🥰😬 of Viaggio in 😉Italia. He j^🙄u`😌st gives his w!🙂😃if 🙂 😬e🤗😁$ as mu😗_🤢ch of a f😴🤗😝a😅🤢🤕iry tale en😪🤒ding as a real woman can h🤒ave,*🤕😆😗😙 😷😉😋a human lands🤩]cape where 😋sh😑)😅\e ca🤭n f@😏😛+in🙃^🙂ally feel at home. Bac`
@🤗=k to th😗(😀e country, a😑🤭😬🤤😂 🤣🤢-:half ]🤐😇lit in%😆🤗terior sc🤢🙃🤣?;ene where😂 😘 shad😶🤗😒^\ows suggest the c😪omfort of sl😶😂😄)eep. Aft🤔🤫er al🤗😋😒l, it's the fairy god🤩😘mother w😶🤭😍ho 😷😑^😀🤭speaks] 😉 t😂he last=😉( words 🤭🤪in 🤕😶@th;_;-😶e m 🙃ovie.